K. STOCKHAUSEN AND B. A. ZIMMERMAN: INVENTION OF THE SIMILARITY OF OPPOSING

Authors

  • L. Vasylieva Mykolayiv V. O. Sukhomlinsky National University

Keywords:

B. A. Zimmerman, K. Stockhausen, serial technique, polystylistics, electronic music, time, superart.

Abstract

The article attempts to compare philosophical-aesthetic and music-theoretical views and the oeuvre of K. Stockhausen and B. A. Zimmerman - German composers of the second half of the twentieth century, who are traditionally presented as antagonists in domestic musicology. It was found that both authors: studied the problem of time in music and offered their options for its inclusion as one of the parameters of serial technique; substantiated in their literary works their own composer's findings; created technically complex compositions (in the field of performance, and in the field of work stages on the final version); used in the works multilingual texts in phonetic and semantic aspects; evolved from a fascination with the technical side of creativity to the predominance of the aesthetic; constructed a new sound reality by means of sound polyphony at the macro and micro levels, trying to create «super-art».  

Author Biography

L. Vasylieva , Mykolayiv V. O. Sukhomlinsky National University

PhD in Arts, аssociate рrofessor  of music аrt department

References

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Stockhausen K. Texte zur Musik: [nim.] B. 3. Koln, 1971.

Zbigniew Skowron. Muzyka elektroniczna Karlheinza Stockhausena. Okres prób i doświadczeń (II) // Muzyka. 1982.1-2. 11-36.

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Published

2021-04-02

Issue

Vol. 1 No. 2(66) (2021)

Section

Статьи

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