PRINCIPLES AND APPROACHES FORMALLY COMPOSITION IN ARCHITECTURAL DESIGN

Authors

  • E. Tiurikova Odessa State Academy of Civil Engineering and Architecture
  • О. Pogorelov Odessa State Academy of Civil Engineering and Architecture
  • V. Titinov Odessa State Academy of Civil Engineering and Architecture
  • O. Nedoshitko Odessa State Academy of Civil Engineering and Architecture

DOI:

https://doi.org/10.31618/ESSA.2782-1994.2021.1.68.10

Keywords:

composition in architectural design of the environment, formal compositional approach, compositional measure, plot, montage, formal composition, emotional resonance, emotional stress, categories of composition, compositional integrity.

Abstract

The article analyzes the features of the application of the principles of formal composition in the design activities of an architect-designer. Separated notions of formal composition, formal compositional approach, formal compositional principle. The characterization of the "world" as an all-encompassing concept is revealed. Parallels are given between design composition and formal composition in art. Approaches to the formation of environmental composition (plot, montage and formal) have been analyzed and created. Categories and concepts are summarized in tabular form. Examples of the application of various compositional approaches to the development of trade showcases are compared.

Author Biographies

E. Tiurikova , Odessa State Academy of Civil Engineering and Architecture

Candidate of Architecture

О. Pogorelov, Odessa State Academy of Civil Engineering and Architecture

Senior Lecturer

V. Titinov , Odessa State Academy of Civil Engineering and Architecture

Teaching Fellow 

O. Nedoshitko , Odessa State Academy of Civil Engineering and Architecture

старший викладач

References

Azizyan I.A., Dobricina I.A., Lebedeva G.S. Teoriya kompozicii kak poetika arhitektury. M.: Progress-Tradiciya, 2002. 568 s.

Arnhejm R. Iskusstvo i vizualnoe vospriyatie. M.: Progress, 1974. 392 s.

Genisaretskij O.I., Chernevich E.V. Vizualistika: ob issledovanii i proektirovanii sistem vizualnoj kommunikacii. Ch. 2. M.: VNIITE, 1990. 345 s.

Golubeva, O.L. Osnovy kompozicii / O.L. Golubeva. M.: Iskusstvo, 2004. – 120 s.

Degtyanikova, N.I. Evristicheskie metody v issledovanii kompozicii proizvedenij izobrazitelnogo iskusstva: avtoref. dis. … kand. iskusstvovedeniya / N.I. Degtyanikova. – SPb., 2004. – 20 s.

.Dobricyna I.A. Ot postmodernizma k nelinejnoj arhitekture: arhitektura v kontekste sovremennoj filosofii i nauke. M.: ProgressTradiciya, 2004. ,416 s.

Dizajn arhitekturnoj sredy.: Ucheb.dlya vuzov/Minervin G.B., Ermolaev A.P., Shimko V.T., Efimov A.V., N.I. Shepetkov, A.A. Gavrilina, N.K.Kudryashov - M.: Arhitektura-S, 2007 -504s.;

Zhmurko Yu.V., Panova L.P. i dr. Metodicheskie ukazaniya k izucheniyu kursa "Arhitekturnaya kompoziciya. Kompoziciyavospriyatie". Chast 2. - Harkov: HDAMG,

- 60 s.

Zabelshanskij G.B. i dr. Arhitektura i emocionalnyj mir cheloveka. M., Strojizdat, 1985.

Koveshnikova, N.A. Dizajn: istoriya i teoriya [Tekst]: ucheb. posobie Dlya vuzovarhitektur. I dizajn. specialnostej / N.A. Koveshnikova. – M.: Omega-L, 2008. – 223 s.

Kudin, P.A. Psihologiya vospriyatiya i iskusstvo plakata / P.A. Kudin, B.F. Lomov, A.A. Mitkin. −M.: Plakat, 1987. − 208 s.

Melodinskij D.L. Shkola arhitekturno- dizajnerskogo formoobrazovaniya. M., 2001. 310 s.

Mihajlov, S. M. Interaktivnost kak opredelyayushij priznak dizajna postindustrialnogo obshestva, URL:http://knu.znate.ru/docs/index-410452.html;

Naumova V.I. Sovremennye tendencii arhitekturno-hudozhestvennogo tvorchestva i aktualnye vektory arhitekturnogo obrazovaniya: dis. Barnaul: Altajskij gosudarstvennyj universitet, 2011. 198 s.

Panova L.P., Shubovich S.O. Metodicheskie ukazaniya k izucheniyu kursa "Arhitektura kompoziciya. Kompoziciya-vospriyatie". Chast 1. - Harkov: HDAMG, 2001. - 60 s.

Rappoport A.G. Arhitektura i emocionalnyj mir cheloveka. Emocii i professionalnoe soznanie arhitektora. M., 1985. 245 s.

Ustin, V.B. Kompoziciya v dizajne. Metodicheskie osnovy kompozicionnohudozhestvennogo formoobrazovaniya v dizajnerskom tvorchestve [Tekst] : ucheb. Posobie dlya vuzov po specialnosti "Dizajn" / V.B. Ustin. – M.: AST: Astrel, 2007. – 239 s.

Chernyshev O.V. Nekotorye osobennosti dizajn-deyatelnosti i podgotovka kadrov. — V sb.: Hudozhestvenno-konstruktorskoe obrazovanie. Tr. VNIITE. — M., 1977, Ser.: Tehnicheskaya estetika, vyp.10.

Shimko V.T. Arhitekturno- dizajnerskoe proektirovanie. Sredovoj pohod. - M.:Arhitektura-S, 2006.-384s.;

Shleyuk, S.G. Hudozhestvennyj obraz i kompoziciya v dizajne mebeli perioda XVIII – nachala XXI vekov: avtoref. dis. … kand. iskusstvovedeniya / S.G. Shleyuk. – M., 2005. – 26 s.

Esteticheskie cennosti predmetnoprostranstvennoj sredy. Pod red. A.V.Ikonnikova. M. Strojizdat, 1990.

Published

2021-05-14

Issue

Section

Статьи