QUICK SKETCHING AS AN IMPORTANT PART OF CREATIVE ARTS

Authors

  • A. Nikitin National Academy of Fine Arts and Architecture

Keywords:

quick sketching, academic drawing, O. Beliankyi’s workshops, creative potential, artistic image

Abstract

With the quick sketching being an important practical component of development of the future artists’ creativity, it is crucial to examine a dedicated workshop as an organizational form of learning the quick sketching. By the example of the O. Beliankyi’s (Prof. at the Ukrainian National Academy of Fine Arts and Architecture) drawing workshops, the necessity to include the basics of academic drawing into the quick sketching has been proven. His classes emphasize on many significant elements of quick sketching: capturing artist’s personal impression of the object, the need to feel the object as a whole, to feel the form and know the laws of descriptive geometry. Two main modes of quick sketching have been studied: drawing from life and from memory. While drawing from life, it is critical to perceive the object as a uniform phenomenon, when its abstract, generalized image provides ideas and associations for quick sketching, accentuating very few emotional features of the object (rather than drawing a number of details). During the workshop, young artists develop good hand motor skills, learn to plan their time, to choose the means and media for expressiveness and brevity, to concentrate and perform strokes in a conscious and deliberate way in order to convey their idea of the object. Drawing alongside the students allows the teacher to show the systematic and consistent nature of quick sketching: choosing the media, arranging the image on the sheet, capturing accurate body proportions, emphasizing its plasticity, working with tone, light and shade. 

Author Biography

A. Nikitin , National Academy of Fine Arts and Architecture

senior lecturer

References

Belianskyi O. M. Korotkochasnyi rysunok. Maister-klas. Navchalnyi posibnyk dlia khudozhnikh navchalnykh zakladiv I–IV rivniv akredytatsii. Luhansk: [LDIKM], 2008. 124 s.

Belianskyi O. M., Osypova T. H. Rysunok i perspektyva. Teoriia ta praktyka korotkochasnoho rysunka: Navch. posib. Kyiv: KPI im. Ihoria Sikorskoho, 2019. 138 s.

Zhuravlova N. Nacherk u navchalnii prohrami z rysunka NAOMA: metodychni y tekhnichni osoblyvosti // Ukrainska akademiia mystetstva: doslidn. ta nauk.-metod. pr. Kyiv, 2018. Vyp. 27. S. 105–110.

Interviu z Oleksandrom Mykolaiovychem Belianskym vid 14 liutoho 2017 r.

Kulinich L. Korotkochasnyi rysunok u fakhovii pidhotovtsi maibutnikh vchyteliv obrazotvorchoho mystetstva // Naukovi zapysky. Kyiv, 2015. Vyp. 141 (II). S. 67–70.

Mahalias V. Teoretychni osnovy rysunka ta praktychna realizatsiia yikh // Ukrainska akademiia mystetstva: doslidn. ta nauk.-metod. pr. Kyiv, 2010. Vyp. 17. S. 22–35.

Maistrenko-Vakulenko Yu. Materialy ta tekhniky akademichnoho rysunka v NAOMA // Ukrainska akademiia mystetstva: doslidn. ta nauk.metod. pr. Kyiv, 2007. Vyp. 14. S. 200–207.

Maistrenko-Vakulenko Yu. Kafedra rysunka NAOMA: sohodennia ta perspektyvy // Ukrainska akademiia mystetstva: doslidn. ta nauk.-metod. pr. Kyiv, 2010. Vyp. 17. S. 11–13.

Maistrenko-Vakulenko Yu. Akademichnyi rysunok u khudozhnikh osvitnikh zakladakh Ukrainy. Istoriia stanovlennia ta problemy suchasnosti // Suchasni problemy khudozhnoi osvity v Ukraini: Zb. nauk. pr. Kyiv, 2012. Vyp. 7. S. 247–251.

Nemtsov V. V. Kratkovremennyiy risunok. Nabrosok: uchebno-metod. posob. Minsk: BGAI, 2018. 168 s., ill.

Prohorova N. A. Akademicheskiy risunok kak fundament tvorcheskoy gramotnosti dlya formirovaniya tvorcheskoy lichnosti // Art-prostIr. KiYiv, 2016. Vip. 2. S. 99–102.

Samoilenko Yu. O. Funktsii maister-klasu v pidhotovtsi maibutnoho vchytelia obrazotvorchoho mystetstva // Naukovyi chasopys NPU imeni M. P. Drahomanova. Seriia 14: Teoriia i metodyka mystetskoi osvity. 2011. Vyp. 11. S. 193–197.

Sukhenko V. Akademichnyi rysunok: Pidruchnyk. Kyiv: Amadei, 2016. 232 s.: 217 il.

Published

2021-05-14

Issue

Section

Статьи